iran cinema in search of “objet petit a” acritical psychoanalysis of the “how simple it is” movie

the present article aims at giving a formative psychoanalysis of iran cinema in the 2000s.itseems that all distinct moviesin this decade have been produced in an atmospherethatwasarepresentation of everyday-life and living ethics of middle class citizens. drawing on themovie “how simple it is” directedby reza mirkarimi (2009) as a typical sample of discursiveformation, the present study aims to analysis a representation of everyday-life of the urbanmiddle class, which in this decade turned into an iranian culturally problematic issue.utilizing its internal narration, this film indicates that “objet petit a” is penetrating through theeveryday-life and within the “objet petit a” there are reasons formed which have directed theeveryday affairs to the path of the unconscious affairs of subjectivity. the purpose of thepresent study is to expound the “objet petit a” based on a psychoanalysis perspective.according to the way the movie represents the subjects, this research also intends to showhow the everyday-life of the subjects mainly dominated by women is constructed and how“objet petit a” involved in split subjects plays a key role in the current everyday-life.